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My Linnea Lund: Alix D Reynis

My Linnea Lund:  Alix D Reynis

My Linnea Lund : Alix D Reynis

Porcelain is to tableware what cashmere is to clothing: it brings something noble, delicate, artisanal and timeless. This is at least what comes to mind when holding the creations of Alix D. Reynis in our hands. Limoges porcelain tableware (naturally), but also vases, lighting fixtures, candles and jewelry, crafted like sculptures that will inhabit our daily lives.

 

Invoking the spirit of the banquet

Alix D. Reynis is convinced of it: some of the most beautiful stories unfold around a table. So she elevates all the objects that adorn our kitchens, dining rooms and living rooms. Plates, dishes, teapots, but also vases, lamps, portable lights... a profusion of accessories that invoke everything that made the charm of old-time dinners. A refined, pure, immaculate aesthetic. Soft and sculpted lines, which porcelain comes to magnify.

 

A very french, very parisian style

You only need to visit her workshop-boutique in Saint-Germain-des-Prés, on rue Jacob, a stone's throw from the legendary café Les Deux Magots, to understand the refinement of Alix D. Reynis's work and her universe beautifully inspired by the Parisian architecture that surrounds her.

What I love about Alix is her talent for orchestrating beautiful table settings. It's something that resonates deeply with me, certainly through my culture and my father's profession as a chef, which makes me a lover of the art of the table.
Charlotte Björklund, founder of Linnea Lund

 

The white gold of limoges

This stunning brilliance, this lustrous glazed appearance: is this characteristic of porcelain? Don't be mistaken. Everything comes down to one essential thing: the expertise of Limoges artisans. It is to them that Alix D. Reynis entrusts the precious moldings of her creations. During manufacturing, handling each piece is an art of delicacy. The slightest shock, even imperceptible, would deform the object during firing. Everything is almost miraculous. But this fragility, which requires incredible agility, evaporates once the object is fired at high temperature. Under the heat, porcelain then reveals its true nature: its strength and its white beauty.

 

Alix D Reynis in Linnea Lund

When she's not tying her ecru apron around her waist, an accessory that never leaves her once she enters her workshop, Alix D. Reynis enhances her silhouette with the Astrid skirt paired with the Harald sweater in Oatmeal shade.

A luminous beige that evokes the color of plaster, this material she loves to work with and from which the first concrete sketches of what will later become a porcelain object are always born, ready to pass from hand to hand, and from generation to generation.